These bizarre-looking creations wouldn’t look out of place as characters in Dr. Who, but they’re sculptures made by Jean-Luc Cornec for an exhibition in Frankfurt.
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My scrapbook. I'm Greg Jones.
By day I make web applications, here I link to things I find interesting - generally relating to music, news/journalism, writing/reading and aspects of design.
I'm @gjones on Twitter if you have any comments.
Is it bedtime?
These bizarre-looking creations wouldn’t look out of place as characters in Dr. Who, but they’re sculptures made by Jean-Luc Cornec for an exhibition in Frankfurt.
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Nope, not an overpaid actor but an actual piece of dead pig for £1800 that, once the acorn-fed pigs die, takes three years to cure and is described as “amazing value”. I’ll take two.
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But beggar dogs have evolved the most specialized behavior. Relying on scraps of food from commuters, the beggar dogs can not only recognize which humans are most likely to give them something to eat, but have evolved to ride the subway. Using scents, and the ability to recognize the train conductor’s names for different stops, they incorporate many stations into their territories.
Polar Bear makes a friend.
Near Hudson Lake in Manitoba, German wildlife photographer Norbert Rosing spotted a polar bear coming near his sled dogs. He took pictures of what he thought would be the end of his dogs. Apparently the bear came back every night for a week to play with the dogs.
Graphical user interfaces are typically full of symbols. Most graphical elements you see on your screen are meant to stand for ideas or concepts. The little house on your desktop isn’t a little house, it’s «home». The eye isn’t an actual eye, it means «look at the selected element». The cog isn’t a cog, it means «click me to see available commands».
Details and realism can distract from these concepts.
I don’t understand any of the references, but the pictures are pretty, and the insight into monster-creating is a little bit interesting.
The Quietus doesn’t review as much as Pitchfork or Drownedinsound, and as such it’s a bit easier to identify with the tastes of the writers, and that means that when they say things are worth listening to, I normally take their advice and do so. This is the 2nd half of their top-albums list for 2009 and (along with the first half) has plenty of new bands for me to listen to. They’ve made a Spotify playlist for those who can use it.
Die Hard asks naive but powerful questions: If you have to get from A to B—that is, from the 31st floor to the lobby, or from the 26th floor to the roof—why not blast, carve, shoot, lockpick, and climb your way there, hitchhiking rides atop elevator cars and meandering through the labyrinthine, previously unexposed back-corridors of the built environment?
BLDG BLOG takes a meandering, but all the better for it, look at how Bruce Willis and the IDF deal with walls in places they don’t want them, and with doors providing nothing but predictability to the people they don’t want to find them.
As well as linking to an interesting-looking report on how the IDF operate in such quasi-tunnels in an urban area, the post provides an alternate scenario for Die Hard 2, suggesting that maybe Nakatomi Plaza rather than Mr. Willis was the reason for the first film’s brilliance.
Lastgraph lets you create posters showing your listening trends for a period of time. I’ve generated one for me based on the whole of 2009, and it’s pretty bumpy. Spot the week where my hard-drive died and I was computer-less!
A book that sets itself on fire when you open it (instructions on how to make your own), and one that is impossible to shut once opened.
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… glorious in the street? Some pretty sad pictures of what happens to Christmas trees come the beginning of January.
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